Over the last two decades, Chitrakar’s work has been exhibited across Asia and Europe — not for commercial acclaim, but as a cultural dialogue. His shows in Kyoto, Paris, and Berlin have introduced Paubha to audiences unfamiliar with its meditative depth.
“Real art doesn’t need to be explained. It speaks to those willing to listen,” he reflects.
By staying true to form while welcoming global curiosity, Chitrakar has become a rare bridge between Eastern tradition and Western intrigue — a keeper of the past with a message for the future.